|Hotness Comes In All Shapes And Sizes | Nick Jonas | Wonderland Magazine|
|Posted by Eliza on Sep 29 tags: Article, Interviews|
Nick Jonas is one of those rare-breeds of child star who has managed to pull-off a total career 180. The 24-year-old has come a long way from his days as a middle-America tweenster pop star, and is rapidly blossoming into a widely-respected global musician. Just before he went on stage in San Jose for his 28th live show — he’s on tour with Demi Lovato, no less — Wonderland pinned him down to tell us about music, movies, and masculinity. Don’t get jealous.
W: Your most recent album — Last Year Was Complicated — feels like your most personal work to date. Would you agree?
N: I am way more connected to my music when it comes from a personal place, and so I wanted to find a way to present those stories and lay them out. I really want to see this music resonate with people. The great skill with an artist is to make this music and see it come alive live, too.
W: You put out a Tidal documentary earlier this year surrounding the release of LYWC. Tell me your thoughts about this project.
N: Having the opportunity to do that was just really exciting, and going with the theme of getting more open I spoke with the team about putting out a documentary series to complement the music and everything else. It’s helped me learn a lot about myself — looking back, and being able to watch over the recording and the roll out of the record.
W: Speaking of watching yourself back, you’ve dabbled with acting this year, too. You’re in Goat — your film with James Franco — coming out in September right? How was that whole process?
N: Pretty wild. First time I read the script, I was blown away. Anytime I read a script for the first time I put myself in it and think about how I would portray the character, and with that one I knew right away that I really had to play the role. I read for it, and worked really hard to get it and when they cast me I was just so thrilled. And to see the impact the movie had at Sundance and Berlin Film Festival and the conversation around it was just a really encouraging and exciting thing.
W: At the heart of the film is the taboo topic of fraternity hazing. Why do you think now is the time to be talking about this?
N: I think it’s a conversation that is important in this moment because there’s so many of these stories in recent years of young men pushing each other to a point where it’s all just so dangerous. And at the centre of the film, as far as themes go, is masculinity: and what that looks like at 16, and the pressures forced onto these young men, and the stakes that become so high. So being able to tell that story in a way that feels very grounded and very real, and starting a conversation, was important.
W: Speaking of masculinity, let’s talk about how your image has changed so drastically through the years. You’re an international sex symbol these days…
N: It was an interesting thing to go through. Part of it, I guess, is that it’s just my life now. It will have been 12 years of doing this all professionally. I think I have a balance of it: that I accept and understand that my circumstances and my life have been pretty unusual, to a certain degree. But also embracing it as my normal; I’ve gotta grow, make mistakes, in the way that everybody else does, only with a few more eyeballs on me. I don’t think like it’s been forced, and it feels like I’ve grown naturally.
W: How does it feel about having gone from chaste teen to being gay icon, too?
N: It’s bizarre! But sexuality is important, as an artist, to embrace and use it as ammunition in your creative life, and understanding that part of your life and how it makes you feel. Anytime I approach writing a song I think about that fact that since I started having sex, my creative life changed dramatically and my ability to write a song with more genuine depth, more reality.
W: As a male sex symbol you naturally appeal to the gay community, but there’s been accusations on various internet verticals that you’ve consciously “gay baited”. What do you say to that?
N: I’m totally aware of my intentions in any and all of my attempts to be an ally to the LGBT community: they are pure, and from my heart, and from my passion to be there for a community that’s been there for me from an early age. Starting in theatre and growing into the performer I am today, I’ve made so many great friends belonging to the LGBT community, and some of the most talented men and women in the community I’d like to pay my respects to.The positive impact is 10 times more important than the negative comments.
W: Do you think there could be more men doing what you’re doing, and showcasing the vulnerable?
N: I think vulnerability on any level, and having the confidence to dive into areas of your own life that are tough to speak about at times, is incredible. Specifically heartbreak and romance, and emotion. Look at Drake: a hip-hop artist who has done an excellent job of being human and being vulnerable, and is seeing it pay off.
W: Just before we finish, in your 12 years of show-business what is it you’re proudest of?
N: Recently I was back at the Whitehouse for our president’s birthday celebration, and it was great moment to be there eight years after the inauguration. Stevie Wonder was there, who thanked me for embracing soul into my music. Me and my brothers played with him back at the Grammys in 2009, and he said that he remembered how soulful I was then, and that he was glad I’d stuck with it. That was pretty cool.
Source: Wonderland Magazine
|Is Automation the New Curation? panel at the Liberty Theater during 2016 Advertising Week New York in New York City|
|Posted by Eliza on Sep 27 tags: Appearances, Gallery Updates|
Joe made an appearance at the Is Automation the New Curation? panel at the Liberty Theater during 2016 Advertising Week New York in New York City on the 26th of September. I’ve added 19 HQ photos of him to our gallery. Don’t forget to check them out below:
Home > Appearances > 2016 > September > 26th September – Is Automation the New Curation? panel at the Liberty Theater during 2016 Advertising Week New York in New York City
|‘The Elvis Duran Z100 Morning Show’ at Z100 Studio in New York City|
|Posted by Eliza on Sep 27 tags: Appearances, DNCE, Gallery Updates|
DNCE made an appearance at ‘The Elvis Duran Z100 Morning Show’ at Z100 Studio in New York City on the 26th of September. I’ve added 18 HQ photos of them to our gallery. Don’t forget to check them out below:
Home > Appearances > 2016 > September > 26th September – ‘The Elvis Duran Z100 Morning Show’ at Z100 Studio in New York City
|With ‘Goat,’ Nick Jonas guns for a piece of the box office to go with the top of the charts|
|Posted by Eliza on Sep 24 tags: Article, Interviews|
When Nick Jonas turned up at the Sundance Film Festival this year, the industry cognoscenti was perplexed. What, exactly, was the youngest Jonas brother doing so far from a stage and his legion of screaming fans? Was he hoping to score a free puffy jacket from a swag suite? Shredding some powder on the slopes? Hot tubbing with some snow bunnies?
“I kept getting asked, ‘Oh, what do you have going on?’ Why are you here, basically,” Jonas recalled.
He was there, of course, because he was in a movie: “Goat,” about two brothers whose relationship becomes strained as they rush a college fraternity. It’s a film that grapples with serious issues — hazing, binge drinking, masculinity — the kind of stuff that wasn’t exactly broached in Jonas’ last movie about a teen music camp that aired on the Disney Channel in 2010.
So he got it — the fact that he seemed an odd fit alongside the likes of Werner Herzog, Lena Dunham and Viggo Mortensen. He knew not everyone had heard of “Kingdom,” the DirecTV series about mixed martial arts fighters that he’s starred on for the last two years. That he’s still known as a pop star, and for good reason: This summer, he saw his new album debut behind only Drake on the Billboard 200 Albums Chart and embarked on a 43-city tour with Demi Lovato.
That concert tour concluded at the Forum in Inglewood on Saturday night. Jonas promptly flew to New York for a couple of days of press on “Goat.” And then Tuesday morning, immediately after he touched back down in L.A., he was driven to an empty sports bar on the fringes of West Hollywood that had opened early just for him. He walked in looking bleary-eyed, wearing a black hoodie with glittery palm trees on it. Someone on his team handed him a bottle of cold-brew coffee, a green juice and an egg scramble.
“Can we sit outside?” he asked, settling by a fire pit with flies circling it. He visited a bar like this before he started filming “Goat,” which debuted in 20 theaters and video-on-demand Friday. He was performing in Bowling Green, Ohio, and he asked the audience where he should head for a drink after the gig. When his fans suggested a prototypical college dive, the 24-year-old — who never attended college himself — decided to use the experience as research for his upcoming frat-bro role.
“It was a wild night,” he said. “Shots. Smirnoff Ice. You ever been Iced? It’s a game that you play where someone surprises you with a Smirnoff Ice and you have to chug it on one knee. It happened to me three times.”
Jonas said he wanted to understand “this whole world of drinking to get [messed] up, which is absolutely not the way” he drinks. He was living with his older brother, Joe, when he turned 21, and credits his sibling with helping him safely explore his alcohol limits. (His real vice is cigars, which he was first exposed to when he was 15 and on tour with the Jonas Brothers, because many of the crew members smoked.)
The Jonas Brothers went their separate ways in 2013, but his identity as a member of the boy band has trailed him ever since. When he first told his agent he was interested in pursuing acting, he kept getting pushback: “‘We don’t want a Jonas Brother’ is a lot of what I heard,” he said. “We were no longer the hottest thing, and the acting experience I had in [Disney Channel] movies didn’t really challenge me as an actor. There were a few times where someone would let me read for something, and I’d get down to the very end, and then they’d say, ‘You’re probably one of the best reads we’ve had, but the studio doesn’t feel like we can cast you.’”
James Franco, who produced “Goat,” didn’t share that bias. He’d worked with fellow Disney vets Selena Gomez and Vanessa Hudgens on the edgy 2013 indie “Spring Breakers” and was impressed by their transformational performances.
“Those actresses were known for much more poppy things, and then they threw themselves into their roles and were really serious about them. So I had a hunch Nick would do the same thing,” explained Franco, who also has a cameo in the film as a fraternity veteran. “He already had a career, and if he wanted to do this acting thing, I felt like he was going to work harder than anyone. He doesn’t have to do this — he really wants to.”
Still, director Andrew Neel admitted, “he wasn’t someone you were putting at the top of acting lists at that point.”
“He was only known as a pop star,” the filmmaker said. “So initially, everyone was like, ‘Nick Jonas? What? Is this guy acting now?’ There’s a bias against him, like ‘Oh, he’s just a pop star,’ and in a lot of ways, I think that’s good. Because he was willing to come in and work hard. He wanted to earn it.”
And Jonas definitely isn’t playing around when it comes to his acting career. He’s worked with a coach, Rebecca Kitt, for a number of years, and sometimes she’ll come out on his tours with him to help him prepare for certain roles. He admires actors who have made big transitions in their careers — guys like Matthew McConaughey and Channing Tatum. He’s completely serious when he says that he’d someday like to achieve the famed EGOT — an Emmy, Grammy, Oscar and Tony award.
Once he even briefly considered discontinuing his social media accounts — he’s on Snapchat, Instagram and Twitter — because he worried they were hurting his chances to land big parts.
“I think about that — if I didn’t have Twitter or Instagram, would I have more roles that I want coming to me?” said Jonas, who has 10.9 million followers on Twitter alone. It’s a sentiment shared by some of the most serious actors of his generation — Jennifer Lawrence, Emma Stone, Daniel Radcliffe — even as studio heads have increasingly begun to gauge box-office potential via a star’s online following.
But Jonas has lived his life in public since his Disney Channel days, where he first learned what it was like to be on a movie set. On the “Camp Rock” films, the most important directives were to be enthusiastic and to hit your mark. There wasn’t a whole lot of soul-searching.
“I didn’t necessarily love the material,” Jonas acknowledged. “But I don’t want to knock that experience. I’m not one of these Disney haters. I’m really appreciative of the foundation it laid for me.”
Things were far different on the low-budget “Goat,” where he spent a lot of time thinking about what it meant to be a man. In the film, he plays Brett, whose younger brother Brad (newcomer Ben Schnetzer) is rushing a fraternity he’s already a member of. As he watches Brad get brutally hazed by his frat bros — he has to chug endless liquor, grab a banana out of a toilet while blindfolded and physically fight the other pledges — Brett starts to question his loyalty to the organization.
Growing up, Jonas’ father, Kevin Jonas Sr., shaped Nick’s view of masculinity. The family patriarch was a minister and a musician, but he also loved football — “he just kind of let us be who we were without judgment,” said the younger Jonas, who had a similar mix of interests. As a kid, Nick started acting in plays, but he still played sports, even harboring a dream to walk on to the baseball team at Northwestern University. (He visited the campus in 2009, but “it didn’t work out,” Jonas said of how fame affected that decision. “It would not have been as easy as showing up and going to class.”)
Sometimes he wonders what college would have been like, but Jonas said he doesn’t regret sticking to performing. He’s having the most fun he ever has on stage. And he’s slowly gaining acceptance in the acting community too. A few months after the premiere of “Goat,” he got a call about auditioning for Sony Pictures’ remake of “Jumanji” starringDwayne Johnson and Kevin Hart.
“They were like, ‘Are you OK to read?’” said Jonas, who left Thursday to join the cast for the film’s three-month shoot in Hawaii. “And I was like, ‘Of course I’m OK to read!’ I was so used to people saying they didn’t even want to give me a chance to read at all.”
Source: Los Angeles Times
|Demi Lovato and DNCE Concert for Marriott Rewards members|
|Posted by Eliza on Sep 23 tags: Appearances, Demi Lovato, DNCE, Gallery Updates|
DNCE and Demi Lovato performed for Marriott Rewards members at JW Marriott Los Angeles at L.A. LIVE in Los Angeles, California on the 22nd of September. I’ve added 17 HQ photos of the event to our gallery. Don’t forget to check them out below:
Home > Appearances > 2016 > September > 22nd September – Demi Lovato and DNCE Concert for Marriott Rewards members at JW Marriott Los Angeles at L.A. LIVE in Los Angeles, California – Arrivals
Home > Appearances > 2016 > September > 22nd September – Demi Lovato and DNCE Concert for Marriott Rewards members at JW Marriott Los Angeles at L.A. LIVE in Los Angeles, California – Performance
|‘Goat’ New York premiere at Landmark’s Sunshine Cinema in New York City|
|Posted by Eliza on Sep 20 tags: Appearances, Gallery Updates|
Nick attended the ‘Goat’ New York premiere at Landmark’s Sunshine Cinema in New York City on the 19th of September. I’ve added 38 HQ photos of the event to our gallery. Don’t forget to check them out below:
Home > Appearances > 2016 > September > 19th September – ‘Goat’ New York premiere at Landmark’s Sunshine Cinema in New York City
|Nick Jonas on new film ‘Goat,’ the Jonas Brothers, Bear Grylls|
|Posted by Eliza on Sep 19 tags: Interviews, Videos|
|Music Midtown 2016 at Piedmont Park in Atlanta, Georgia|
|Posted by Eliza on Sep 18 tags: Appearances, DNCE, Gallery Updates|
DNCE performed at Music Midtown 2016 at Piedmont Park in Atlanta, Georgia on the 17th of September. I’ve added 27 HQ photos of the performance to our gallery. Don’t forget to check them out below:
Home > Appearances > 2016 > September > 17th September – Music Midtown 2016 at Piedmont Park in Atlanta, Georgia
|Marriott Rewards Sweet Treats Truck With Demi Lovato & Nick Jonas|
|Posted by Eliza on Sep 18 tags: Appearances, Demi Lovato, Future | Now: The Tour, Gallery Updates|
Nick and Demi were at the Marriott Rewards Sweet Treats Truck in Hollywood, California on the 17th of September! I’ve added 15 HQ photos of the event to our gallery. Don’t forget to check them out below:
Home > Appearances > 2016 > September > 17th September – Marriott Rewards Sweet Treats Truck With Demi Lovato & Nick Jonas in Hollywood, California
|Joe at LAX in Los Angeles, California – 14th September|
|Posted by Eliza on Sep 16 tags: Candids, Gallery Updates|
Joe was spotted at LAX in Los Angeles, California on the 14th of September. I’ve added 7 HQ photos of him to our gallery. Don’t forget to check them out below:
Home > Candids > 2016 > September > 14th September – Joe at LAX in Los Angeles, California
|DNCE ALBUM ANNOUNCEMENT|
|Posted by Eliza on Sep 15 tags: DNCE, Videos|
|DNCE to perform for Rays Of Sunshine Children’s Charity|
|Posted by Eliza on Sep 9 tags: Article, DNCE, Updates|
NTERNATIONAL POPSTARS DNCE AND NICOLE SCHERZINGER AMONGST PERFORMERS TO TAKE TO THE SSE ARENA, WEMBLEY STAGE FOR RAYS OF SUNSHINE CHILDREN’S CHARITY
Also performing will be Fleur East, X Factor reigning winner Louisa Johnson and rock pop band Lawson. The evening will also see a very special performance from Nicole Scherzinger singing a unique song with the Rays of Sunshine Children’s Choir, a group of brave and inspiring seriously ill children. Other acts are to be announced.
The event will be hosted by Rays of Sunshine Children’s Charity www.raysofsunshine.org.uk which grants wishes to seriously ill children across the UK.
The concert is sponsored by SSE as part of a new two-year partnership between SSE and Rays of Sunshine that will see the charity event take place at The SSE Arena Wembley in 2016 and 2017. SSE’s support of the event will enable the charity to offer 2,000 complimentary tickets to seriously ill children, who have previously had wishes granted.
Tickets go on general sale from 9am on Monday 12th September 2016. Tickets from £25 plus booking fees. SSE Reward customers can purchase tickets for this show in the exclusive pre-sale from Friday 9thSeptember, in advance of general release via www.ssereward.com. You must get your gas, electricity, phone, broadband or boiler breakdown cover from SSE to become a member.
Nicole, who will be performing with the Rays of Sunshine Choir, was inspired to be a part of the event after meeting eight-year-old wish child Ella, from Lancashire, who is currently living with Renal Failure. Ella, who had her wish granted to sing ‘Don’t Stop Believin’ to Simon Cowell by the charity, will be taking to the stage alongside 15 other brave and inspiring seriously ill children.
Nicole Scherzinger commented:
“I am super excited to perform at the Rays of Sunshine Concert at The SSE Arena, Wembley in October. Seeing Ella’s beautiful smile again brightened up my day and it was an absolute pleasure to meet Murad and Joel too, they’re all such brave and inspiring children.
“I can’t wait to take to the stage and help Rays of Sunshine brighten the lives of many more brave and deserving children. This concert is such a unique event, with over a thousand seriously ill children in the audience, that it’s an absolute honour to be a part of it. It’s going to be a fantastic show.”
Jane Sharpe, CEO of Rays of Sunshine Children’s Charity, added:
“The concert is going to be a magical event which will enable us to provide a night of distraction and entertainment to thousands of brave and deserving children. We are so grateful to SSE, The SSE Arena, Wembley and all our amazing performers for making this incredible night possible.”
Colin Banks, Head of Sponsorship at SSE, said:
“At SSE we are committed to making a difference and are extremely proud to be supporting Rays of Sunshine and to be giving thousands of children the opportunity to come and see some of their musical heroes at The SSE Arena, Wembley for the very first time.
“The work that Rays of Sunshine do in brightening up the lives of seriously ill children across the UK is just fantastic and we are honoured to be able play our part by giving these incredibly brave kids, a fantastic day out at what promises to be an incredible show”.
SSE has been the title sponsor of The SSE Arena, Wembley since June 2014. The utility company is also title sponsor of The SSE Hydro (Glasgow), The SSE Arena, Belfast and The SSE Swalec, Wales.
SSE customers get access to a number of entertainment benefits through SSE REWARD including advance ticket access, upgrades to SSE lounges and unique money can’t buy opportunities.
|DNCE interview with 1883|
|Posted by Eliza on Sep 6 tags: Article, DNCE, Interviews, Updates|
You may have heard their catchy single, Cake by the Ocean, that is still dominating the UK charts at its 31st week in the top 40 – but DNCE are proving that they are more than just a one hit wonder.
Joe Jonas, one third of the teen pop band The Jonas Brothers, has separated with Disney once and for all as he joins with Jinjoo, Jack and Cole to create DNCE – and yes, that ‘A’ was left out on purpose. The band mates collectively each have over a decade of experience in the music industry, having toured with the likes of CeeLo Green, Charli XCX, Jordin Sparks, Semi Precious Weapons and of course The Jonas Brothers, they are no new comers to the stage.
MTV’s 2016 Best New Artist winners are currently travelling the world touring since Cake by the Ocean made its way into the charts, so we met with DNCE ahead of their sold out show at the Islington O2 in London to get to know the one year old band a little better.
You guys have just come from New Zealand, how was that?
Joe: It was great, we were in Japan, Australia, New Zealand, and then the longest thirty hours to get here. We kind of hit the ground running which is probably the best way to fight the jet lag. We got here yesterday about six to the hotel, and we started at like eight or nine o’clock, so we had to keep things moving but its been a good 48 hours.
How long are you in London for?
Joe: We’re here for another fours days before we head to New York.
So it’s been about a year since you guys started, how did you get together?
Joe: Well, I’ve known Jack and Jinjoo for almost ten years and Jack I were living together and talked about starting a band; we threw around a bunch of different band names for a while. Eventually it started getting serious when I called up Jack and was like dude this is a reality, this idea that we had. Jinjoo was touring with some friends that we knew, Charli XCX and Ciara so she got off tour with them and then we met Cole through a mutual friend and had the perfect connection.
Obviously having that chemistry is important, when did you guys know that this was going to work?
Cole: The first time that we actually played together, all four of us with all our instruments, I think that movement is a huge thing; some people don’t move well together and some people move the same way. We just started moving around together when we were playing music and were just weaving in and out of each other like it was water or something, and we just all knew it was something really special.
So Cake by the Ocean is currently at its 31th week in the UK charts, how did you come about writing this?
Joe: That’s cool I didn’t know that. It was kind of an accident, a happy accident in a way. We were working in the studio, kind of having writers block with producers that came from Sweden and on a break they were telling a story about having Cake by the Ocean which was Sex on the Beach, the drink, so we were like that could be a funny idea for a song. So we started joking around, writing this fun tune and ending up creating Cake by the Ocean.
So your new single Toothbrush is out with the model Ashley Graham in the video, what’s that song about?
Cole: That song is about the beginning of a relationship when your hanging out with someone new and it’s a good vibe and it gets to that point when you start to think about maybe leaving something at somebody’s place, just to test the water. I think it could be five minutes into someone’s relationship or a couple of weeks, but it’s that cool moment where it might be something real.
How did you come up with the name, DNCE?
Jo: Another happy accident, (they all giggle) we were trying to come up with endings for a while and each one was either taken or we’d sleep on it and think that isn’t the right band name. So a late night, one eye open trying to text each other to get some ideas, and someone miss-spelt dance and ‘dnce’ was written. We liked the way it sat out, its not perfect, it kind of reminds people of moving and that’s what we want people to do with our music.
So Jo, have you found a lot of your fans have moved with you from the Jonas Brothers to DNCE?
Jo: I’ve definitely seen familiar faces. Although one thing we’ve learned a lot from DNCE is that our music lived before the visuals, so I think we were figuring out who we were before they saw a music video attached to anything. So it was really cool to hear stories about how people found our music. The song, Cake by the Ocean for example was being streamed by Spotify and Apple Music for months before the video came out, so it was kind of special how we got to watch a fan base grow organically.
Yes because you were playing secret shows in New York for a while?
Jo: Yes we did, we were playing a week worth of shows in an underground bar. Its really special to us, we still try and go back to that bar just to reminisce. I think we are going to do another run of shows there hopefully, just to go back to the roots of things.
You’ve all come from experienced musical backgrounds. Jinjoo, you are from Korea and started playing guitar, tell us about that?
Jinjoo: I grew up playing with my siblings and having albums in Korea, so I am used to being in a band. When I was 19 my Mum had the idea for me to go to America alone. At time I wasn’t ready, I was afraid as I couldn’t speak English and I was very comfortable making music with my family back home. But I found some courage and faith and decided to make the trip to a music school in Hollywood. About a year later I did an audition for Jordin Sparks and got the gig. Everything happened accidentally.
Jack, I hear you were in college when you first started playing for The Jonas Brothers.
Jack: Yeah, I was two months into college and I got a call from a friend who were with these guys who said (interpreting a low male American voice) ‘you gotta play with these they’re ganna be huge next year.’ I was like sweet. I met Jo the day before our first gig and we just took off on the road and had no idea what I was getting myself into, it was crazy.
Cole, were you classically trained in piano?
Cole: Yeah I was. I started playing when I was six and my piano teacher lived across the alley from me and she was really cute so I think that’s why I wanted to go every week. As soon as I realized that you got to hang out with chicks if you were in a band I was like ok. I forgot everything I knew about piano and started playing base.
So you’re currently touring, where are you going next and how’s it all going?
Joe: We are going to New York, were up for a music video award for MTV, so we’re going to fingers crossed take something home. Then were doing a couple of TV shows and just announced were doing a couple of shows with Selena Gomez here in the UK, which will be rad. We are planning the rest of the year right now; we have the album coming out for November so that will keep us really busy. We want to continue to tour, that’s where we feel the most confidant. We enjoyed the last six, seven months its been so nice to just stay on the road so hopefully we’ll get a big tour going next year and just sleep on that bus.
So is touring your favorite part to the whole musical process?
Joe: Yeah defiantly.
Cole: The reason why we are alive is to play music to as many people as possible. It’s like a drug for us. Even when we are writing that’s the vision for us, to be playing and to feel the energy.
So you’re performing tonight at the O2 in Islington, what can we expect?
Joe: Well its going to be pretty awesome to be able to play a show here, the last time we played was in a small little bar to kind of just announce the band over here. Now we put this show on sale and it sold out really quickly and so these are heard core fans that are coming out tonight and supporting. We’ve been reading tweets from all over the place to come to the show tonight.
Yes there’s already a queue way down the road outside we saw when we came in!
Jo: Yeah we’re really excited and were playing new songs off the record and a few covers, and making a few special adjustments for this show in particular and we just hope that were leaving with some memories.
Describe the band in one word
If all the records in the world were destroyed, and you could only save one, what would it be?
Jinjoo: Cake by the Ocean (giggles).
Cole: I’d do Matthew McConaughey’s Spoken Word and read by Mathew McConanughy. I don’t know if that exists, but hopefully by then.
Joe:I really like The Matthew McConaughey one… Jack, I need to think about mine.
Jack: Trying to think real answer or silly answer. I’ll go real answer, The White Album by The Beatles.
Joe: I am just going to bring an extra pair of headphones because they all said great answers, I wanna see what they got.
|Nick Jonas wrote songs differently after sex|
|Posted by Eliza on Sep 4 tags: Article, Demi Lovato, Future | Now: The Tour, Interviews, Updates|
Eight years ago, few might have predicted that the fresh-faced stars of the hit Disney Channel musical Camp Rock would go on to freely discuss sex in their work, become outspoken proponents for the LGBT community and, this year, mount a joint tour inspired by Bruce Springsteen.
But the Boss is just who Nick Jonas said he and Demi Lovato had in mind when they conceived their relatively stripped-down road show, Future Now, which launched in June.
Specifically, Jonas explained, it was Springsteen’s run of concerts last spring at the Los Angeles Sports Arena – along with a Billy Joel gig he caught at New York’s Madison Square Garden – that made this former tween idol want to turn away from the pop pageantry with which he’d made his name as part of the Jonas Brothers.
“I left that Springsteen show and was like, ‘We’ve got to think like this’,” he said, sprawled on a couch next to Lovato in a dressing room before a show in Boston, Massachussetts.
“Just to go onstage, no theatrics, and pour your heart and soul into the music – that’s what we wanted,” Lovato added as her small black dog scampered around her legs. In truth, the Future Now tour isn’t exactly a no-frills jam-a-thon.
In Boston, the two performers, both 23, were accompanied by sleek visuals and wore outfits considerably more involved than Springsteen’s faded dad jeans.
And the songs, of course, were flashy in their own way: Stomping electro-pop tunes like Lovato’s Confident and moist R&B come-ons like Jonas’ Chains.
But if it’s true, as Jonas said in a freewheeling conversation, that the pop world “is pretty oversaturated these days” – packed with high-tech arena spectacles from Beyonce, Justin Bieber and Madonna – then this production, with its emphasis on live vocals backed by a muscular band, does feel like a different animal. These are excerpts from our talk.
How often do you think about Camp Rock?
Lovato: I don’t, to be honest, unless somebody brings it up.
So what’s coming to mind now?
Jonas: Schooling. We were both 14 or 15 when we filmed the movie, so they had a teacher on set, and you had to do a certain amount of school each day: four hours of school, six hours of work. By the second (Camp Rock movie), Demi and I had both tested out of high school in California, so we were riding high, enjoying life.
Does a kid in show business learn anything from an on-set tutor?
Jonas: From some of them, no. But there was this girl Laura, who actually really helped me prep for the test, because I was not prepared.
Lovato: Mine was Marsha. But other than that? Some were literally just like, “I can’t help you with anything – let’s watch a movie and say you did some studying.
Talk about moving out of the kiddie phase of your career. Is it a transition you have to manage carefully?
Lovato: I kind of cheated – I went to rehab.
Lovato: A real FastPass.
Jonas: I think we had two very different journeys. I was in my transition from adolescence to adulthood while also trying to manage being a family and having our business kind of fall apart.
So, I made a conscious effort to push myself and collaborate with different people. The word “intentional” is dangerous, but it was about intentionally doing certain photo shoots and things that would give people a better idea of who I am today as opposed to their first introduction when I was 14.
Quest for freedom
As individualised as their journeys have been, one thing that’s united the two singers is the way they’ve handled sex in their work – which is to say, the enthusiasm with which they’ve handled it.
A certain amount of lustiness is crucial for any former kiddie star looking to leave the past behind; it’s part of the script followed by Britney Spears, Justin Timberlake, Miley Cyrus and plenty of others.
Still, Jonas and Lovato have gone further than most, in songs like his comically lewd Bacon and in revealing photo shoots like the one Lovato did last year for Vanity Fair that had her naked in a hotel bathtub.
Yet it’s not mere titillation or shock value that they appear interested in but something deeper, something almost philosophical about the nature of desire – and of being desired.
Is it part of this overall quest for freedom?
Lovato: It’s definitely liberating. I mean, for someone who’s had body image issues to be able to go onstage in a thong – it’s not just me trying to be sexy. It’s “Look how far I’ve come – I can now show off my whole body and be confident.”
Jonas: As a songwriter, the minute you start having sex, you can totally see the difference in the writing. You become an adult – that’s kind of the whole backbone of it, really, your identity as a person and what sex means to you.
Because you both approach sex candidly, you know the experience of being ogled. The idea of your body becomes public property in a way.
Lovato: I look at it as I’m sharing my experience with my body with my fans, and that’s why they relate to me so much.
Does that encourage people to expect certain details and images from you?
Lovato: There’s an expectation today because of the access to celebrity that this generation has. When I was dreaming about becoming an artiste, there weren’t camera phones; now people get offended if you say no to a picture. The reaction people have when a celebrity enters a room, it blows my mind.
Do you think about the effect a specific act might have? “If I post X on Instagram, then Y will happen.”
Jonas: Of course. When I was younger, that used to really shake me. I was kind of living in fear.
Fear of what?
Jonas: Disappointing people. I didn’t ask to become a role model, but it was thrust upon all of us, regardless of whether you acknowledge it. You have to come to a decision as an adult and say, “I’ve got to live my life.”
There’s nothing wrong with thinking ahead and being aware of how it might affect somebody – everything from a post to where you have dinner to who you’re with. But these aren’t things you can let consume your life.