NICK JONAS stars on the cover and inside exclusively announces his new track, which is being released at midnight tomorrow!
Keep reading for excerpts from the interview below.
Here are some excerpts from the interview with Nick.
On writing the new song:
“The new track was written last year while I was on tour, which is one of my favourite times to write, when I’m constantly in front of new audiences and being inspired on a nightly basis. It was a rainy day in Maine, so I went on the studio bus and I started this track and I really liked the way it sounded. Within five hours from the time I started the beat to the time I eventually laid my vocals in with the lyrics that we’d written, it was pretty much done.”
On making music that’s more personal:
“For a while I used songwriting as a way to process my emotions, and in my head that always needed to be heavy, or the songs needed to have a darkness to them. Whereas now I am open to singing about positive things, to be able to sing with a smile on my face is a really nice feeling.”
On working with a new team on the track:
“I think like anything, with some new energy in the room, there’s an unpredictability about it that’s really exciting and scary at the same time. If you’re willing to embrace it, that sort of uneasy energy can be pretty amazing. That’s how I chose to see it, and I’ve come out with some stuff that I’m really excited about, cutting a new direction which is exhilarating.”
On releasing this song now, and the shifting way that music is released:
“Something I’m fully aware of is that I’m scatterbrained as fuck, I’m all over the place [laughs]. But I think it works to my advantage at times… it lets me really be able to do everything. I don’t want to be pigeonholed. Being able to put this song out [now], if that’s the statement I want to make at this moment, but then also feeling free to continue to be inspired by something completely different… I feel like before there was a real need for everything to be completely cohesive and be a singular thought. So I view it as an opportunity, it’s been one of the most freeing things for me creatively.”
On working on a rich mix of projects from independent film, to blockbusters, to music:
“I would LOVE to say it’s part of some big plan and that I was masterminding it, but that’s not the reality [laughs]. On the acting side of things I’ve had to work really hard the last couple of years to prove that it is a skill set that I have and also that I’m committed to the work. I think there can be that fear that, because I’m doing music and other projects, my focus will be elsewhere. But once I dive in on an acting project, I really make that the focus.”
Read the full interview in The HERO Summer Zine:
Nick Jonas arrived in comfy attire — a hoodie and sneakers — at Bloomingdale’s on 59th Street on Saturday afternoon. He had just taken the red-eye from Los Angeles to make it in time for the retail debut of his Altec Lansing headphone collaboration, and was relying on the proven power of iced coffee to help him shake off the grogginess.
As hundreds of fans gathered in the women’s contemporary section to snag a pair of headphones and Jonas’ signature, the singer took a few minutes to speak about the collaboration, his love for classic style and his recent “aha moment.”
WWD: How was the Met Gala?
WWD: Tell me about your design collaboration with Altec Lansing.
WWD: You previously did a sneaker collaboration with Creative Recreation. Is fashion design something you want to do more of?
WWD: How would you describe your current style?
WWD: What do you mean by aha moment?
Their latest single “Kissing Strangers” is about exploring sexuality with new people, and DNCE wants everyone to be able to sing along. “The point of our music is just to make people happy and to send the message that we’re all the same and there should just be one community: everybody,” bassist Cole Whittle told Us Weekly exclusively at the 28th Annual GLAAD Media Awards in NYC on Saturday, May 6. “That’s what our music means to us, and with this song it’s the same thing.”
The band, composed of Whittle, Joe Jonas, JinJoo Lee and Jack Lawless, will continue to churn out smash hits like 2015’s “Cake by the Ocean” and 2016’s “Toothbrush” and “Body Moves,” but don’t expect the new jams in the form of a standard album. “The term ‘album’ seems to be ever-changing,” Jonas, 27, told Us at the event. “We’re going to focus on songs right now.” He also added that the band will “block off a good amount of time to bring some songwriters and friends that we really like working with and see what we can come up with — but we’re kind of always songwriting.” While he notes that the group already achieved one of their dream collaborations by getting Nicki Minaj on “Kissing Strangers,” Jonas adds that they would also love to work with Outkast and Kendrick Lamar in the future.
During DNCE’s performance at the ceremony, Whittle got more than a kiss from a very important stranger. Excellence in Media Award recipient Debra Messing, who was dancing and singing along throughout the set, grabbed the musician’s nipples when he came into the audience. The Will & Grace actress, 48, even shared a snap of the hilarious moment to Instagram. “Yes, that’s right, I DID tweak his nipples,” Messing wrote May 7. “We had a moment. 🔥 #GlaadAwards.”
Source: Us Weekly
Joe Jonas Something About SS17. You’ll know DNCE even if you think you don’t. Their debut single “Cake By The Ocean” was originally released in 2015, but is the song that keeps on giving. From constant radio play and summery advert syncs; there has barely been a moment over the last 18 months that the cheerful song hasn’t soundtracked. And even if you think you don’t know anything else about the LA four-piece, you do. Their leader is one Joe Jonas, former teen heartthrob and pop superstar for over a decade. He rose to worldwide fame as part of the Jonas Brothers, alongside his siblings Nick and Kevin, making wholesome pop-rock that earned them roles beside Miley Cyrus on Hannah Montana and their own Disney shows.
Now 27, Joe is still as capable of making whole rooms swoon with his swooped back dark hair and piercing dark eyes as when he and his brothers were household names around the world. Before the Jonas Brothers had officially split and were still on hiatus, he struck out on his own, releasing the electropop and R&B inspired solo record “Fastlife” in 2011. He’s since said he wanted it to have a “Hall & Oates meets disco-funk vibe”, but was steered by his label to work with producers who had worked with other Disney acts like Miley Cyrus and Demi Lovato. The album was deemed a commercial failure after its release but it was a valuable lesson and gave Joe the confidence to trust his own instincts. Now, Joe is leaving his safe pop past behind him.
Along with bandmates Cole Whittle (bass), JinJoo Lee (guitar) and Jack Lawless (drums), Jonas is now making disco-funk flecked pop that’s bold, infectious and forever fun. Unusually for a major label-signed pop band, DNCE tour pretty hard. While they have not been out on a headline run for over a year, the quartet has kept itself busy with plenty of support slots (including opening for Selena Gomez on her tour) and festival dates. They’re happy to be back with fans they know have made the trip out just for them. “When it’s your own crowd it’s just a celebration with your fans,” Joe says. DNCE make music that’s both worth celebrating and a worthy soundtrack for that party.
When we speak, the band are just about to wrap up their latest US tour and are heading to Montclair, New Jersey for a homecoming for Joe. “I grew up down the street, only a few minutes away from where the show is going to be,” he explains, driving through New York.
Your debut album DNCE has been out for a few months now. What are your feelings about the record?
“I’m just so thrilled that it’s out now. There’s nothing better than these really intimate and personal songs that you write and then you perform them live and hear a crowd singing them back to you. It’s really special. As the music industry starts to shift quite a bit where more people are releasing singles than albums, I think it’s still special.”
Some songs are very personal to you… Is it hard to perform them every night?
“It can sometimes be uncomfortable, but you know that this could be a fan’s favourite song or it could have gotten them through something. That’s at least what you hope for. I’ve caught the eyes of certain fans on this tour. I could tell that was their song – maybe that was their break-up song or their make-up song. That’s the beauty of music – you can find ways to relate with artists and fans.”
The album got pushed back a few times because of how well the singles were doing.
“Yeah it was. At first we were frustrated because we didn’t like to see the reaction of the fans being bummed out that we were putting the album back. It’s hard to explain that it’s a good problem. If my favourite band said that, I would probably just say, ‘Oh you guys aren’t ready yet’ or, ‘The album doesn’t sound good’. But it started to become a joke for us. We’d look at each other and be like, ‘Hey, guess what guys? The album’s been pushed back again’. It got pushed back five or six times. We were joking around like, ‘Are we gonna leak this?’ But it’s a good thing and we all look back and we’re all so thrilled with how well the songs did and we’re riding that wave.”
Story by: Rhian Daily
Photographer: Michaela Winstone
Fashion: Mar Peidro
Grooming: Marissa Machado
Source: SomethingAbout Magazine
“For so many years I had a lot of cooks in the kitchen and other members of bands that I was working with. This was the first time that I was really able to say, ‘I want to create something on my own and see what this could be.’”
As rites of passage go, popstar evolution comes with a high casualty rate. Joe Jonas was born in 1989, yet he’s sashaying past “the 27 club” with a litany of chart-tracking hits, a supermodel ex-girlfriend, and a jet-set lifestyle. But it’s the omissions that stand out – no arrests, no drug overdoses, weapons charges, near-fatal accidents involving swimming pools… Yet if you’ve been paying attention there’s a liberation taking place for Joe Jonas – an emergence of a real person behind all the layers of expectation and managed identity. After years of faithful service as Disney’s golden child – the purity ring-clad proponent of abstinence and youthful faith – it’s not surprising that somewhere along the way the real Joe Jonas was a bit obscured, his identity folded in to all the things he was expected to be. But there was more to Jonas than he was encouraged to reveal: a character with edges that didn’t quite fit into the center of the Venn diagram where Christian, lead singer in a family boy band, and Disney-star overlap.
Jonas’ metamorphosis is a more down-to-earth one. It hasn’t been a completely smooth transition – comfort, stability, and routine are powerful motivators, and the breakup of the Jonas Brothers left him reeling. For the first time it was up to him and him alone to decide what was next. He traveled, opened a restaurant, sampled the joys of hedonism, embarked on a brief solo career. He began speaking openly about his sex life, about his past, and about who he wants to be as a musician.
This is the Joe Jonas that meets me at a taco joint in Hollywood. There’s a giddiness about him – the wide-eyed excitement of newfound freedom. He’s stoked about his new band, DNCE – a funk-pop/dance-rock four-piece whose sugary, shiny, and undeniably infectious debut single “Cake By the Ocean” became a surprise global smash-hit. DNCE is all Joe, and he’s savoring his newfound creative freedom. “I was trying to figure out for myself what I wanted it to sound like,” Jonas tells me, “and I was actually allowing myself to be kind of selfish about that. For so many years I had a lot of cooks in the kitchen and other members of bands that I was working with. This was the first time that I was really able to say, ‘I want to create something on my own and see what this could be.’”
Jonas is trying everything. It’s not just within the realm of music that he has been exploring the limits of his unlocked potential. He recently made his underwear-modeling debut for Guess, a task he took seriously. “A couple of years ago I had the opportunity to do their underwear on a different campaign. I was like, ‘how long until we shoot?’ And they said, ‘Oh, two weeks.’ Two weeks!” He laughs. “This was just when the band was taking off and we were celebrating every night, which means drinking and partying, staying up until four, waking up at six, jumping on a flight and then performing a show – living the rockstar lifestyle I guess,” he tells me, as if it’s a question.
“And I was like, no way. I wasn’t ready. But it kind of ate me up inside. This time I decided to do it, and it was during our insane summer tour with Selena Gomez – the toughest time I could have done it,” he tells me. “But I was in the gym every day at nine AM, learning how to box. And that became a new art form for me. It wasn’t just lifting weights and bro-ing out. It was about learning something new and putting myself through that challenge, seeing what I could do if I put in the effort.”
Playing full-time with a woman – lead guitarist of DNCE JinJoo Lee – has been another first in a season of new experiences for Joe Jonas. He first encountered her when his dad was auditioning players for Jordin Sparks’ band. She had just arrived in L.A. from South Korea and barely spoke English, and when she showed up for the audition she didn’t even know the song that she was going to be playing. “But she could hear people in the rehearsal room playing the same song over and over again, so she taught it to herself and then walked in, played it perfectly, and ripped a solo off the top of it,” Joe tells me, a bit of lingering awe in his voice. “I’ve known for a while that if I was ever going to put together a band that I’d want her to be a part of it.”
Jonas politely orders an iced-coffee from a waitress who is likely wondering about the two dudes sitting in a dark corner of the restaurant, eating their free chips and talking intently. “JinJoo brings this girl-power element, and I wanted her to be in front, killing it on the guitar, being the rockstar that she is. On tour we spend so much time together in a confined space, so I’ve really been able to get to know her. She’s basically our little sister, our mom, our big sister, and occasionally our drunken, crazy, evil little stepsister all rolled into one. I think it’s a really important thing for us as a band to have her in the mix because she offers a female view on a lot of different things, whether it’s music or just life in general. I had three brothers, and living with a girl day-in and day-out for the first time was different. I’ve learned quite a bit about the female perspective.” He takes a sip of his iced coffee. “We’re very protective of her. We joke about guys in a big-brother way or whatever, but there’s also these instincts that come out, where someone pushes her on accident or something and we puff out our chests and that ‘Guido’ side of me from Jersey comes out and my fists start clenching,” he says, laughing.
Jonas seems relaxed here, away from his instruments, from the studio, the cameras, away from expectations. I ask him if it’s difficult to regain creative momentum after releasing a huge hit. “‘Cake by the Ocean’ is definitely – even including the Jonas Brothers years – my most successful song.” Jonas tells me thoughtfully. “And it can be tough when you’re holding yourself to that level of success, because it is kind of one of those rare occasions. You have to realize that and understand that these are once-in-a-lifetime experiences, and that you might not relive them. My manager kind of slapped me around a bit mentally, because I was starting to over-obsess about writing new music. He said ‘remember why you do this: it’s because you love music and it’s fun.’ And that is what ‘Cake By The Ocean’ is – it was kind of a joke song and we were sitting back laughing and we didn’t overthink it, and I think that is when the best music is written.”
It is in part this lack of self-seriousness and a commitment to fun that makes Joe Jonas popular with his fans, but that also makes him a target for those cliché criticisms leveled at pop-music generally – that the subject matter is frivolous, that it consists of nothing but recycled musical tropes, that it cynically exploits the human brain’s inborn hunger for pattern and resolution to sell records. But Joe is convinced of the value of keeping a light heart in a heavy world. “I wrote a song recently, and it was kind of a therapeutic, dark, breakup song. I was kind of on the fence about whether or not to put it online, and I decided not to,” he says, referring to his recent high-profile breakup with supermodel Gigi Hadid. “Partly because I was over the relationship and I got over it by writing about it, but I also thought it was too dark to showcase to our audience. I feel like especially in this day-and-age with where we are politically, there’s so much hate and sadness. To take people away from all that for a second and to offer a place to escape to is nice. Not to distract them, but to help them through this era, to give them a moment to not look at CNN and say, oh shit, what’s going on now?” To Joe Jonas, the levity of pop-music offers freedom and respite. Joe is free, and he wants you to be free too.
Source: Flaunt Magazine
Joe Jonas, the soft-spoken frontman of pop music’s zaniest band of misfits, talks about new music, finding his voice, and why the typical post-boy-band career path just isn’t for him.
Joe Jonas can trace the turning point of his career to a single piece of advice that led to the creation of DNCE, the funk-infused dance-rock band that seemed to emerge, fully formed, from an explosion at a disco-dust factory in 2015. “I’ll never forget the conversation I had with my manager,” says Jonas. “He was like, ‘You need to get this band together, do what you want to do, and just go have fun.’”
Judging by DNCE’s first single, the freewheeling dance-pop confection “Cake by the Ocean,” Jonas and his bandmates—bassist and keyboardist Cole Whittle, guitarist JinJoo Lee, and drummer Jack Lawless—took that decree dead seriously. The music video, directed by the creative team Black Coffee and Jonas’s then-girlfriend, supermodel Gigi Hadid, takes the song at its word. There is a massive, 12-foot-tall slice of cake—based on the strawberry-topped emoji cake, naturally—set up on a beach for a cake-fighting competition that seems to take its rules from dodgeball. A crowd of pretty young things in swimsuits gathers on makeshift risers. Social-media influencer Josh Ostrovsky, aka the Fat Jew, makes a slow-mo, Baywatch-style entrance looking like a gonzo sumo wrestler in tiny swim trunks, his ponytail sticking up from his head like an antenna. He faces off against a bevy of models and proceeds to clobber one after the other with cake and frosting as he dodges their volleys, graceful as a dancer. Someone in the crowd swipes through the dating app Bumble. Ostrovsky pours White Girl rosé all over himself. The members of DNCE bounce around antically on a bandstand.
The entire enterprise is so self-aware and fluent in millennial culture that it practically defies criticism—it’s too in on the joke. Even the name of the song is a goof: Swedish producers Mattman & Robin kept confusing “sex on the beach” with “cake by the ocean” in the studio, and the band ran with it all the way to the top of Billboard’s Adult Pop charts and a win at the MTV Video Music Awards for Best New Artist.
With a fun and fresh new album, the self-titled DNCE, and a 2017 calendar filling up with headlining tour dates, the 27-year-old Jonas is coming into his own, but it took some time for him and his eventual bandmates to arrive at DNCE’s impetuous, carefree style. Joe and his brothers Nick and Kevin found fame as the Disney Channel-assisted boy band the Jonas Brothers, and tapped into that unstoppable force known as preteen- and teen-girl fandom, which rises like a wave every 10 years or so to carry bands of young men to stardom. The story of the group’s breakup, in 2013, is well known, with Nick, the youngest brother in the group, initiating it. “It was startling at first,” recalls Jonas. “I needed a week or two to process it. It was such an important changeover for me. I felt like it was time for us to hang up the hat, but we were holding on to it for so long.”
For his part, Nick seemed very ready to move on, and he swiftly found success as a solo artist. “I’m envious at times, watching his artistry and how he went so quickly into creating music and an album,” Jonas admits. “But I also knew that it was important to take time for myself to be able to figure out what exactly I wanted to do next. It’s so easy to just jump right into something and release more music, and it might not be the right fit. Now we’re able to support each other from afar.”
Jonas is speaking from experience: He had already tried out the solo thing himself with the album Fastlife (2011) while the Jonas Brothers were on hiatus in 2010/2011. While it was a respectable pop/R&B effort, the album didn’t exactly break new ground, and it passed under the pop radar. “I’m very proud of the music that I was able to create,” Jonas says, “but I think at the time it was a lot of cooks in the kitchen when it came to making the music. I look back now, and I’m glad I went through that, because I would be in the same position [now] that I was then, where I’d be trying to go the Justin Timberlake route. It wasn’t what I felt most comfortable doing. I always loved being in a band surrounded by great musicians and people that love it as much as me, and being able to perform onstage with a group of friends and have a blast. That’s at the core of what DNCE has been for the last two years—just pure fun for us.”
It’s an approach that has largely worked, with a crucial tweak: For all the band’s youthful energy—best embodied by mohawked bassist Whittle, who ricochets around the stage like a punk-rock pinball—the music they make feels compellingly adult. “Toothbrush,” the second single, is an easy-breezy track, in which Jonas croons, “Baby, you don’t have to rush/You can leave a toothbrush/At my place.” It’s a plotline that would have required a three-episode arc on Sex and the City and sent Carrie into a tailspin, but the song is effortless, upbeat, and even offhand. It’s not exactly teenaged stuff—and that was the point. “We were encouraged, especially with ‘Cake by the Ocean,’ to write a song that has this funk-influenced pop, but lyrically to put a spin on it that’s not the norm. It does feel freeing to be able to write songs about things that people our age are really going through,” says Jonas.
He seems to be following the artist’s edict that if one is honest with his art, the fans will follow. “We were playing a show,” he recalls, “and the song [‘Almost’] was one I wrote about getting over a relationship, and it was a difficult song to put on the album, because it’s very personal. In the crowd, this girl was just crying her eyes out, and she’s by herself, and you could just tell that it’s her breakup song. If I could help that person or somebody else get through a certain situation, then it’s all worth it.”
As with “Cake by the Ocean,” the music video for “Toothbrush,” which stars model Ashley Graham as Jonas’s gorgeous girlfriend, adds another layer of appeal to the song and burnishes the band’s casual-cool image. “It was quite funny on set,” says Jonas. “Cole was pretty mad at me—he didn’t even want to be around the filming process— because he was pretty jealous. [Ashley] was great and so much fun to work with. Of course, there’s like 10 camera guys in a room with you when you’re lying on a bed, but she made it really funny and kept me laughing, which made it really comfortable.”
While having big-name models in music videos is nothing new (see also Zayn, Taylor Swift, et al.), Graham, the first plus-size model to grace the cover of Sports Illustrated’s annual Swimsuit Issue, also happens to be the very beautiful face of the body positivity movement. “We didn’t really think it would be as big of a talking point as it was,” says Jonas. “I think she is definitely changing the game for that profession, and it’s really incredible to see. I didn’t realize until the video came out afterwards why it was such a big deal. Hopefully through this music video—and, obviously, through Ashley’s career—she’s definitely making a difference. For us, we were happy to have her in the video, and that was the key thing. Maybe people will stop making a big deal about certain things like that. She’s awesome. She’s incredibly intelligent. She’s done amazing TED Talks, and anytime we get to hang with her and her husband, it’s a great time.”
Of course, there are elements of his Jonas Brothers days that he just can’t shake—namely, the celebrity gossip that seems to cling with particular fervor to former kid stars and Disney Channel alums. A few days before our interview, as DNCE’s tour was starting up, Jonas’s personal life was once again making headlines. In one news item, he was photographed out and about with Game of Thrones actress Sophie Turner, and in another, Instagram lurkers were analyzing his decision to double tap an image of ex-girlfriend and fellow rocker Demi Lovato with her new boyfriend, MMA fighter Guilherme “Bomba” Vasconcelos. Both items mentioned the band’s tour, of course. It was hard to tell where the tabloid fodder ended and the music news began.
“It kind of comes with what you do,” says Jonas with good-natured resignation. “I think you never get used to it. You get a little better at it when there’s rumors or you have to deal with random drama—[like] old exes that are dating somebody new. I try to just focus on the good stuff and not obsess over it. It’s not as bad as it used to be. On the Demi thing, I see she’s happy and I’m happy for her. I met Bomba. He’s a good guy.”
Still, Jonas has no regrets about his boy band days—even the Disney musical Camp Rock, which got him teased on Twitter by Tyler, The Creator. “There’s moments where I look back and I have to laugh,” he says with a chuckle. “I don’t really want to hide anything from my past, but I easily could have done with a few less hairstyles back in the day. Other than that, I’m really proud of everything. I grew so much from it. We actually have a plan as a band—because I don’t think Cole has seen it yet—to get pretty drunk and watch Camp Rock and see what it’s like now.
“For all of us, it’s like a new life in a way. The music industry moves so quickly and everyone is listening to the next thing that’s coming out, and it’s always the goal to find the next song or next band, and so we feel very lucky to be able to have a life in the music industry again and have fans out there. We really appreciate it, and we know it’s not easy. We’re just having a blast and enjoying every minute.”
Source: Gotham Magazine